Remember, this is made by Disney. So you shouldn’t be surprised if they tone it down since it appears they target younger audience unlike SNOW WHITE AND THE HUNTSMAN that decided to go to a darker path.
As a result, MALEFICENT becomes a much heartwarming tale than it’s supposed to be, but I LOVED it. I understand why audience dislike this version as it deviates way further from the original story. A total reconstruction, as a matter of fact. But this version feels closer to real life than fairy bullshit tale of yore.
They give MALEFICENT a back story why she does what she does. Villains become a villain isn’t always because they’re heartless pure evil from birth. There’s always a why, and you’ll feel sorry for her. (we’ve actually seen several kids flicks that root in the same idea)
And most importantly, once again, Disney did it right with the “true love” thingy since FROZEN. I tip my hat to that.
Overall, the idea works really well for me, probably have some minor issues. Story could’ve been developed better. There wasn’t enough oomph.
One thing for sure, you just can’t look away from DAT GLORIOUS FACE THAT IS ANGELINA JOLIE. Dayum woman looks smokin’ as hell. She owns it. No one can steal her thunder with that face and dashing performance.
Frears triumphantly blend a touching journey of a mother finding her long lost son with Coogan’s comedy wits into a delicate brew of a heart-stirring tale.
Adorably funny and lovable. The Lorax is a classic tale with a strong and touching environmental message. It could’ve been better if they showed more of the story of The Lorax itself and the forest’s animals (which was the only best part of this film, sadly).
Still, very recommendable for children.
I understand why most critics giving Extremely Loud and Incredibly Close bad reviews. I know how odd and peculiar the story and (specially) Oskar are. If you’re familiar with Foer’s novels, you’d know that they are always that quirky (see Everything Is Illuminated which has been also adapted to the big screen played by Elijah Wood — Trust me, it was way weirder). So, you can’t really blame it on the story. To me, it was a decent adaptation of Jonathan Safran Foer’s work. They didn’t left anything important out, even though I expected more of Foer’s original lines in the screenplay and some of the sub-stories that didn’t make it into the film. Essentially, I am quite content with how it turned out. It was just as heartfelt as when I read the book. Also, I couldn’t really complain on Max Von Sydow playing as Oskar’s grandfather. It couldn’t get any better. Extremely Loud and Incredibly Close couldn’t get any more honest than it already is.
”Paradise can go fuck itself.”
The Descendants surprised me by its often comedic manner. The adapted screenplay is pretty much solid and well-written (loving the voice-over narration and the hysterical remarks!). However, The Descendants is a little bit overrated with all the awards hype. I do enjoy Clooney’s performance in this side of drama, but this is not one of his extraordinary achievements.
Nevertheless, The Descendants is still a very enjoyable long stroll on the beach.
“It was the kindest magic trick ever I’ve seen.”
Hugo finds its way to our heart through courage, good faith, lost passion and broken dream. A well-executed, heartfelt, and honest storytelling.